Hebrews 11:3
"By faith we understand that the worlds were framed
by the word of God, so that the things
which are seen were not made of
things which were visible."
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Viewing a Chuck Close Exhibit in Atlanta
gave me the incentive to focus on my boggy landscapes.
If he could produce multiple works from his
self - portrait, surely I could paint my
beloved boggy over and over again in
diverse ways.
about me
Carol began a serious study of sculpture twenty five years ago.
She began painting five years after that.
Her most notable teachers have been
Morgan Samuel Price, Albert Handell, and Anatoly Dverin.
Carol Cain was the facilitator for the Emerald Coast Plein-air Painters
From 2004 through 2007.
She received “Best of Show” at the 2008 Beaux Arts Exhibit,
And the Okaloosa Regional Airport Exhibit in 2007.
Her paintings have been featured in "American Art Collector" of Alcove Books,
and “ Art Galleries and Artists of the South.”
Cain recently completed commissions for the
Northwest Florida Regional Airport,
One Water Place in Destin,
and the Naples Ritz in south Florida.
She has had the privilege of teaching art in a private school.
She is the wife of Bill Cain, a minister, and mother of four daughters-
Gileah, Emma, Sarah and Maranatha.
artist statement
In my former house, I awoke each day to a wooded view from my second
story bedroom window. My present bedroom faces the street, and there are
no woods to view from any room in my house. I didn't realize how much I
depended on that view of the woods. I think my boggy paintings are largely
an attempt to recapture the feeling of wonderment those lonely woods gave me.
As I paint a boggy painting in my present home, I sense that I am creating
a window or portal to a different place. The room seems to become larger.
I feel the presence of space and depth and shade and cool again
So I have brought the restful feeling of surrounding woods back into my life.
For this ability I am thankful.
My paintings are
expressions from photos
of the bogs within a five mile
radius of my home. I take
digital photos, print them out,
and within minutes of being at
the scene, I can begin to paint.
This process allows me
to paint with fresh inspiration,
with the photo providing a guideline.
If I lose my
inspiration while painting the
bog, I can always revisit
the site.
My favorite times of the year
to paint the bogs are fall,
winter and spring. During these seasons, there is an
interesting combination of bare branches and varied green foliage. This combination intrigues and inspires me.
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During mid-summer this
combination is hard to find.
Because of this, in summer I
usually choose to paint architecture surrounded by nature. I have a
body of this type work, but the
green shades of boggy
remain my true love.
To further capture these ideas,
I once put this verse to paper:
"When I die, don't sing
the blues for me,
but sing the greens of
Phoebe's taught tonality."
Phoebe was a teacher I had in Pensacola, and through her
teaching of painting's tonality,
I had a breakthrough in
emulating various greens.
Since that time, I feel that I have had more success in representing the jade-like facets of my hometown bogs.
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